竹与雪本无香气，但有的诗歌却写了它们的香气，这是一种审美“通感”，宋人葛立方在《韵语阳秋》中举出了这种实例：“竹未尝香也，而杜子美诗云：‘雨洗娟娟静，风吹细细香。’(《严郑公宅同咏竹》)雪未尝香也，而李太白诗云：‘瑶台雪花数千点，片片吹落春风香。’”
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